The author of 'La isla de los conejos' (Rabbit Island) took up writing to create worlds like the ones she encountered in her readings. Today, the unique universe of her short stories has become a complex scenery in which nothing is what is seems, in which the abnormal coexists with the quotidian. Come in and read.
Immersed in an endless promotional tour, amidst talks and interviews, we stole some valuable time from writer Irene Vallejo, author of El infinito en un junco [The infinite in a Reed], to chat about the pleasure of knowledge, reading and the art of lending books, the best way, according to her, to get rid of them.
A book bound with a stippled cover. A photo diary by a band on tour in Mexico. A poetry book devised as a Duchampian readymade. A selection of books turned into a pictorial artwork by a plastic artist. The Caniche publishing house sees publishing as a space of freedom and adventure, in which each project follows its own rules.
The author of the award-winning novels 'Los Baldrich' (FNAC Talent 2009), 'Los buenos amigos' (Premio Ojo Crítico 2012) and 'El año en que me enamoré de todas' (The Year I Fell in Love with Them All), a book that earned him the prestigious Premio Primavera de Novela 2013, returns to bookshops with a story about memory and forgiveness.
Agustín Fernández Mallo has been translated into more than ten languages, which is clear evidence of the relevance of his work. Last year he published two new major books: the novel 'War Trilogy', which won the Premio Biblioteca Breve, and the essay 'Teoría general de la basura' (General Theory of Rubbish: Culture, Appropriation, Complexity), a fiction book and a non-fiction book respectively in which Mallo, a flag bearer of the Nocilla Generation, expresses his personal vision of history.
There are poets whose existence protects us from the vanities of literature and reconciles us with the troubles of life. One such poet is the winner of the latest Miguel de Cervantes Prize, Catalan writer and architect Joan Margarit (Segarra, 1938), author of such important books as ‘Joana’, ‘Cálculo de estructuras’, ‘Casa de Misericordia’ or ‘Se pierde la señal’.
We chat to poet and writer Elvira Sastre about the current literary scene and how she has made writing her way of life. We also cover her latest project, the performance ‘Desordenados’ [Disorganised], which brings protest songs and poetry back on stage.
Paz Olivares and Weldon Penderton are Niños Gratis; a new publishing house in Madrid that is on everyone’s lips after only one year. What’s their trick? To publish books that catch your eye and touch your soul.
Writer, singer, composer, singer-songwriter. His great ability to deal with complex issues full of sentimental motivations simply and personally has brought him success, fame and recognition. In December, he’ll close the tour for his latest record, ‘Mis Paisajes Interiores’, in Madrid, during which he has offered more than two-hundred concerts in the last three years between Spain and Latin America.
Whenever David Trueba finishes writing a novel, shooting a movie or making a documentary, he is left with feelings of ambivalence. On the one hand, there is the satisfaction of a job finished and; on the other, the embarrassment of having to show his work. In order to neutralise those fears, when he is releasing or publishing something, he is usually already involved in a new project. We stole a few moments with him while he is immersed in the postproduction of his next film, 'A este lado del mundo'.
Few authors get their books on everyone's lips as soon as they hit bookshops. With a staggering ability to navigate at the juncture of fiction, essay and autobiography, writer and journalist Sergio del Molino will be at the helm of the Eñe Festival, which kicks off this week, with a focus on hybrid genres and disciplines revolving around the written word.